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| The Ontological Writings of Ital Iman I |
Introduction Sophia Stewart Word is Bond American Beach Observer The River City Oracle Ontological Writings... Local U.S. World Publications Chilam Balam Republic of Rastafari Wisdom of the Black Ark Underground Voices Contact Us Recommend Us |
It is true the life of the present is shaped by the masters:-music, media, poetry etc., and thus my life was shaped by Wonder music-my art or my work is result of over twenty-three years of influence, research, and study, basically being scientific investigation of the esoteric side of Stevie Wonder's music - as in the music of Stevie Wonder/Bob Marley can be found an authentic spirituality; esoteric cultural message from beyond time/space etc, unlike Rap which has not an organically cultural foundation.  Point and fact, case and or point Reggae is a vehicle carrying a spiritual and revolutionary message from the religion called Rastafari which has its roots in ancient Egypt and Ethiopia even back to ancient Sumerian text etc. This has been documented as public know it generally today Reggae is over 60 years old or its message. Nyabinghi drumming and chanting of the Rastafari is the modern foundation of reggae, which finds its roots in the psalms even from the 12th century Ethiopia.   Rap truly is a government; we will say Illuminati or even Jewish conspiracy a trick blindly pulled indirectly on the world after the death of the Rastafari Prophet Robert Nesta Marley. William Cobley was head of CIA operations around the time of the demise of Bob Marley his son paid Bob a visit as he was trying to recuperate from a gunshot wound; what interest did Cobly have in Bob Marley?  Some say the Cobly family through the clandestine operation of CIA was instrumental in the demise of Mr. Marley. This is documented fact I speak of here, not mere rumor; fact is, if Marley was allowed to live the world as we know it would not be the same...therefore Rap was and is a weapon of CIA. Anyone who truly knows black history is aware of the revolution of the 60's, the CIA's infamous cointel pro [counterintelligence program] documents data of government dirty tricks against prime black activists from the 60's and 70's have been obtained from reviewing FBI FOIA [Freedom of Information Act] files on the above stated. There has been a very poisonous atmosphere pervading Hip Hop, which is, really Rap. The murder of Notorious BIG, Tupac Shakur rings a bell such as Malcolm X, Martin Luther King, etc. of the 60's. Hip Hop is truly controlled by Hollywood, let us show you. First let us go right to the culprit, then we must point our finger to the snake Russell Simmons and his puppet masters, owners of Night Fever in Queens when Kurtis Blow DJ'd there in the early days 79, 80, 81 when "The Breaks" were just starting, the vibe was still fresh and not corrupt by the puppet masters. You had Grandmaster Flash and Furious Five, Sugarhill Gang, 1983 was the defining moment of Rap, which was still pop music. The Breaks was certified gold, sold a million world wide, Blow was on top until the emergence of Run DMC in 1983. Kurtis Blow was the king of Rap, it got him a gig opening at Madison Square Gardens for Bob Marley. Simmons however blew up on Blondie's 1980 European tour. Her hit, "RAPTURE" was very prophetic of the demise of Rap. It was October 1979 the disco bubble within which American pop culture had floated for the past three years had just burst as bubbles usually do, in abrupt fashion. Music industry insiders were dropped on their heads without the slightest clue about what to do next. You say Rap is about 20 years old and it will be forever, think again there was a purpose as graffiti was the pastime of the Latino gangs was synonymous with Rap or Hip Hop, I say it has gone full circle, it has ended. Let us burn the Rap records [Hotter n July] like disco it is over let the disc - go, burn baby burn. It was multi-cultural at the start and the industry has mixed it up and the white boys are hits in Rap now, can you see it? It is an indirect conspiracy nothing positive all videos are black women showing ass, bling-bling of buffoon niggas wanting to be players. How is this positive for black people? It has made ghetto youth complacent this is the purpose of the sexploitation and the so called gangster and player mentality etc. Remember now, before anything really happened there was scratching/breaking for a while, there was no Rap for about four years after the fall of Sugarhill and Blow.  In the 60's, 70's and early 80's there was no inner city expression save graffiti by the Latinos, soul was out, old school so to speak. Remember the revolutionary poet Gil Scot-Heron in 1971 said, "the revolution will not be televised...the revolution will be live." Rap is not revolutionary it is a political tool. Russell Simmons Def Jam Label, was started by Rick Rubin a Jew boy who was responsible for marketing Rap. It was Rubin a NYU graduate with MTV connections along with his boy Simmons who made it possible for Rap videos to be aired by MTV; the madness had begun in 1986. Before then there was only Rick James and Michael Jackson with videos. It was in 1983 on Nightline that Rick James aired his being upset with MTV who before that would not play black videos. Young blacks are not aware of the history and many books have wrong information written by whites knowing youth do not know any difference. "Walk this Way" was Hip Hop's first video classic Aerosmith and Run DMC separated by a wall - played their own version of the song. Each driving each other crazy until they tore down the wall and jammed. This showed the hidden plot and intent of the powers that be to fuse the cultures in the end, thus killing Rap making it multi cultural, as MTV was a Rock and Roll TV program. Run DMC, Puff Daddy and the likes are instrumental in this fusion if you watch their moves Rap is designed to keep blacks ignorant.    Suge Knight was the real power that got the MTV to do black Rap with Snoop Dogg, got that east coast, west coast thug thing going on etc. If we look close, we will find that the thug and real gangster is Russell Simmons we know that the front page news is not the power hidden in the office. The preempt front man for the powerful record executives it was the Jews at CBS records who ran Rubin away from Def Jam.   Russell Simmons is deeply indebted to Jews. Bottom line in 1984 Simmons manager of Hip Hop and chief owner teams with the Jew Rick Rubin who had connections with Jews at CBS records thus was a big distribution deal which spearheaded Hip Hop. Now do you think this was a coincidence? Rubin and Simmons just met and fell in love, hell no...Jews see money and there is always a conspiracy they had rhyme and reason.   CBS records later changed to Sony and then Polygram. MCA Records, Warner Brothers, took famous blacks through under Simmons and got in the family...see how Jews work. This illusion seems to be a grand merger between Hip Hop independence and the corporate major labels. The major label did not need street credibility. They wanted to control the streets it appears that Hip Hop needed the exposure etc., this was a power move and Russell Simmons sold the soul of the ghetto.   The Jews damn sure did not need the money. Perfect example of how this works is the puppet Sylvia Rhone head of Elektra entertainment has invested Time Warner dollars in the careers of Busta Rhymes, Missy Elliot, Brand Nubians, MC Lyte, etc. She started as a secretary whereas Simmons, Combs, etc., were gangsters but still neither has any real power and neither are revolutionary like Bob Marley. If so, the Jews who control them would kill them like they did Tupac and Biggie and made it look like a rival between Rappers, bullshit. See Also Carmen the Hip Hop Opera The New Melinnium Minstrel Show The Association and the Murder of Bob Marley Post your comments at our online forum Underground Voices. |
Underground Radio Interviews All guests were interviewed on the radio broadcast "Chilam Balam" the original Journalistic Teachings of Ital Iman I. For more information on these tapes see "Underground Radio Interviews." [Audio Cassette Tape - 60 mins] |
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